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AROUND
THE WORLD II: GLASTONBURY DAY 1
Click on the pictures to enlarge.
I
somehow woke up at 10:30 am on Saturday. Sure, my plan to get
on the 9:00 train down to Glastonbury didn't quite pan out, but
already - before even going to the festival - I'd had an incredible
day.However, I was not about to miss another day of Glasto,
so I rolled myself off the bed (I never managed to make it under
the covers), showered, charged up the camera batteries, and fashioned
my hair into water-and-weather-proof festy dreads. Bring it on!
With my backpack full of camping gear and necessary spirits, I
hiked back to the Temple Meads station and hopped on the next
train to Castle Cary. It was a chilly morning, but I was undeterred.
Although I was in nothing more than shorts and a t-shirt, I weathered
the cold and even downed a couple of ice cold pints of Stella
Artois at the next station where I was awaiting my transfer. Have
I mentioned yet that I could live here?
A couple of hours later, I was at the Glastonbury stop, where
no one could even get off the train without a ticket. I produced
my pass and moments later, was collected by a bus, off to the
big cow farm of dreams. This alone was quite an adventure, zooming
down
a windy, narrow road in a huge bus, hurtling past shrubs and trees
on the wrong side of the road. (I can't help being a
bloody Yank, ok?) As we came over the crest of a hill, I could
see it. An amazingly huge expanse of tents, tents, and more tents.
Somehow I was supposed to pitch mine and find it later? I was
gripped by what Hunter Thompson would call the Fear. Fortunately,
it was unjustified. As soon as I checked in, I was given a nice
pink wristband that gave me admittance to the backstage area,
including a spot in the less-crowded, tent-slasher free camping
area.Within minutes, I was pitching my tent, while immediately
behind me, No Doubt was putting on a rocking set. Looking out
the foyer of my tent afforded me aview of the Other Stage. This
is what I call roughing it!
After meeting my neighbours (a Londoner named Dan, and his girlfriend
who remained hidden in the tent), it was off to explore. Whomever
told me I wouldn't see many bands at Glastonbury was
right. I not only felt curious, but obligated to make
the rounds of the entire place. There
were so many sights, so many sounds.. and smells! It was sensory
overload, at times, but all in a good way. One of my first stops
was the famed "Stone Circle" (left), a pseudo-Stonehenge
in the "Sacred Space," away from the noise. It was quite
tranquil. By the smell in the air, though, I would have to redub
it the "Stoned Circle." I scouted out the food stalls,
something that was probably utterly useless, considering my diet
for this festival was largely of the liquid variety. If you've
ever used a porta-potty at a festival, you surely understand my
aversion to solid food. I did feel compelled, however, to snap
a picture of the Aussie Steak
Sandwich Bar, the irony in it being that my Aussie pal/birthday-mate
Andrew is a vegetarian. Ok, so it's only funny to me and maybe
three other people on Earth. Bite me. I also checked out the merchandise
stalls. Since this trip was all paid for, I had extra cash to
do some shopping! I was a bit disappointed by the crafts at the
artisan stalls - I had made it a point before this trip to pick
up some sort of "native" art to adorn my place with,
yet I couldn't find a single thing that called to me. Serious
bummer! At least I was able to buy a very warm England
football jacket.
Eventually, after my giant, multi-acre footcruise, it was time
to settle in for a bit of music. Not having gotten enough American
music while setting up camp to No Doubt, apparently, I found myself
drawn to the Other Stage, where some punkers were getting rowdy
and throwing horn riffs in and out of the tunes. That would have
to be the neo-punk-ska sound of Less Than Jake, and they had attracted
quite a crowd. During
the years that I'd spent in Los Angeles, I tired of this sound
quickly, but watching thousands of people go crazy to it under
an overcast sky in an English cowfield, well, there was just something
special about it. Perhaps it was the awe that I was over-freakin-seas
for a music festival. Or perhaps it was because the lead singer
had just told the crowd what a "circle pit" is, and
said pit was starting to form near me. I bailed just in time.
I may be a wild man at times, but I'm happy to say that my moshing
days are far behind me. I was more than happy to go and check
out the other stages on the grounds.
Shortly thereafter, it was back to the tent to relax for a bit,
then off to the backstage bar. I was fortunate enough to run into
Ian Brown, who had just come off his solo gig (sans Stone Roses)
on the main stage. Despite his reputation as a royal wanker, he
was quite cordial and didn't seem bothered by all the fans approaching
him. In fact, I didn't even know it was him until some girl started
gushing about the Stone Roses.There I was washing my hands in
a communal sink
next to greatness only moments before - that's part of the Glastonbury
magic, I guess! I settled back down by quaffing a few pints of
Guinness next to the boys from Coldplay, then making the acquaintance
of Simon and Roo, fellow radio contest winners, only they were
from London. When we were taking pictures and they insisted we
each had to model a chip on a fork, I knew these guys had been
marinating themselves all day. My kind of crowd! After suffering
through a bit of the White
Stripes on the Pyramid Stage (we all agreed that they're overrated
beneficiaries of media hype) we set off to the New Bands Tent
to groove out to some Cornershop. (I'm still looking for an explanation
as to how they were New, maybe the Grammy committee had something
to do with it.) Afterward, it was to the Other Stage to check
out some of the Beta Band, who were putting on a superb set. At
that point we split up, each of us going on a beer, piss, and
whatever else run, planning on reuniting at the Other Stage for
Orbital. I never saw either of those guys again. If you're out
there, cheers!
Solo once again, I made my way to the Pyramid Stage to check out
the Charlatans. For years, I've wanted to see them. I missed them
at Coachella in Spring
- a band I'd been into since high school! Finally, I was able
to catch them, and there couldn't have been a better time. The
crowd must have numbered nearly six figures.

The
enormous crowd in front of the Pyramid Stage at night - the
mother of all stages for festival headliners. |

Some random revelers in the crowd, more than happy to share
their cheer.
|

The
Charlatans, as seen on a giant video screen to the right of
the stage. This is about the only way to see in a field of
90,000+. |

For
perspective, you can see here that the video screen is as
large as the stage itself. |
I
made my way through the vast sea of people, sidestepping many
beer cartons and many tiki torches. At the top of the hill, occupying
a bench and warming themselves over a campfire
(these are legal here, unheard of at a festival in the States!)
was a group with a gentleman in an "America" shirt.
Naturally, I had to introduce myself to these people, only to
find that the American in question was Frank from Virginia. Ok,
he's British, he just happens to live in the US. All good by me.
Frank and company were more than willing to share their bench
with me, and I busted out my American treat, a flask of Jack.
The spirit of sharing was unleashed. We went through some Carling,
some rum, some cider, and some Stella. Not to mention our fair
share of Jack Daniels.
A few poppers later, and I couldn't quite remember where I was
or how many brain cells I'd lost or how I was hearing a bunch
of old Manchester tunes, but I didn't care. (It's amazing what's
legal in the UK.) I was just overjoyed to be experiencing something
completely new, yet I was also thankful that the stuff isn't easy
to obtain at home. I'm a lager lout as it is! It didn't take long
for me to float back
down to earth, when I turned and realized that all the campfires
and tiki torches behind me looked like a giant brushfire. A photo
was definitely in order. The only question was "who's got
a steady hand?" As this portion of the evening continued,
some stories were told, some e-mail addresses exchanged, and even
some shop talk about Flash websites went on. Overall, it was a
very me experience - a little geeky, rather intoxicated,
and very musical. The Charlatans were winding down their set,
meaning it was time for Saturday's headliners - British flavor
of the week, Stereophonics (or "Stereobollocks," as
I became fond of calling them). It was time for me to say my goodbyes
and head to the Other Stage once again for...
Orbital! I'm already an Orbital fan, so this was a must-see. On
top of that, just about everybody on the Glasto web message board
had said that if there was one act to see at the festival,
this was it. Well, I didn't need to be told twice. I made it to
the area on time to see the Brothers Hartnoll take the stage,
ready to make musical mayhem behind their racks of gear, flashlight-glasses
waving around like mad. I looked around and noticed the crowd
here was worthy of an entire stadium, something unheard of for
a virtually anonymous electronic act back home. Yeah, I could
live here.

Sperm
rushing toward an egg? Or a slow shutter on Orbital's simple
stage lighting? |

The whacky headgear in action. I need a pair of flashlight
glasses!
|

Portrait
of a happy camper. |

More
pretty lights, courtesy of the Hartnoll brothers. If only
you could hear what you see. |
Orbital's set
was phenomenal. I had heard for years about what an amazing live
act they are, and I always imagined that the rave reviews had something
to do with visuals or stage presence. After seeing it first-hand,
I think it's all about the brothers' work ethic. The audience just
sees a couple of men hiding behind synthesizers, working
their asses off to build an amazing vibe. It was as though everyone
had been transported to another time and place. Seriously. And what
made the set really special were the people. As a marginal participant
in the rave scene here in San Francisco, I hear a lot of talk about
how the scene is all about the people and the music. I think it
took a trip overseas to finally experience that.

Unheard
of in the US: Security handing out free cups of water to dehydrated
revelers. |

Even in the English countryside, George Lucas' influence could
be felt in the form of a plastic lightsaber.
|

Bundling
up for warmth in the midst of a field of thousands. That's
how damn cold England is. |

The
ubiquitous Cross of St. George. Never mind that England was
knocked out of the Cup a week before. |
The
sheer multitude and variety of people grooving out, united by
the same music, was simply amazing. I've seen a roomful of people,
and
sometimes a large club or small venue's worth of bodies brought
together by the pulsating beats of electronic music, but this
experience was simply non-pareil. Here were tens of thousands
of us communing. When it was over, I couldn't help but be a bit
bummed that it was over, but at the same time, overwhelmed with
some sort of joy. After the set, I sought out the giant yellow
Orbital flag in the middle of the crowd - At last, I would run
into a familiar face - or name, rather. Sure enough, at the bottom
of the flagpole was Lucy from the Glasto message board, along
with all her friends. At last, I had put a name with a face and
felt even more at ease with the whole concept of solo festival-going.
I briefly chatted with the group and then ran off toward the VIP
area, hoping I could perhaps rub elbows with Orbital. Either way,
I could've gone home at this moment and been one very satisifed
customer. But at this point, my festival experience wasn't even
halfway over!
Backstage, with the headliners having finished, it was quite a
scene. A crowded scene. There was a 16 year-old kid named Sam,
introducing himself and glad-handing everyone near the bar in
hopes of scoring free beers. (To his credit, he went after the
attractive women first.) He kept harassing me about not telling
him who I really was. I insisted I was nobody, but he apparently
knew better than me that I was some rock star and had put on a
great set earlier. Apparently, teenage boozehounds weren't the
only ones to think so. The most prevalent question of the night
was, "So when are you on?" "What stage are you
on?" "Where's the rest of your band?" Quite flattering,
really. If only it were true! Several people, going by my t-shirt,
figured I'd be playing the Dance Tent. I have to say, being mistaken
for a rockstar can be fun. I really could live here, you know.
A few Guinnesses later, I realized I hadn't eaten all day. I was
sitting on the grass and noticed that the girl next to me had
a large basket of chips. At this point, I unashamedly asked if
I
may have one. Not much later, I was getting acquainted with Leigh
and her man Nicky, of Liverpool. Several beers and Jack and Cokes
later, we were ready to continue the party. We figured at this
late hour, the Dance Tent or the Experience Tent would be the
places to go, but they'd gone dark by the time we got there. After
an obligatory stop at the wine bar where we picked up expensive
plastic bottles of cheap wine, we followed the sound of music
to a small tent among the food stalls called the Rizla Cafe. A
crowd had gathered around the place, and a very solid set of drum
'n bass was emanating
from within. We went in and started dancing, only to find that
it was Roni Size himself manning the decks. While I was in Bristol,
I had bemoaned not being able to see one of the legendary local
DJs, and here I was in a cafe tent in the middle of a pasture,
shaking my ass to Bristol's best the very next day. If having
just seen Orbital rock thousands wasn't a triumphant moment, then
being in a tent of 100 with a living legend just topped it. (I
must've still been inspired by the Orbital set, however, considering
I now had a flashlight strapped to my head.)
Eventually, as my plastic vessel of table wine took effect, I
lost Nicky and Leigh (good thing we swapped contact info beforehand)
and was off on my own again. i decided to mellow out in front
of the Rizla tent, where I met Bongo Dude, as well as a young
mother with her toddler. It's amazing how many children you see
at Glastonbury. Despite all the wildness, it's actually a very
family-friendly place. Whereas I would never take a young
child to a festival Stateside, I'd have no trouble doing so at
Glasto. Alas, I wasn't there to play Mr. Rogers, so I continued
making acquaintances with people all over. The last people I remember
that evening would be a couple from Ireland. When I told them
I was from San Francisco, the male half made a big deal about
California herb. Not being an aficionado, I merely nodded, acknowledging
my home region's penchant for the whacky tabacky. "You haven't
tried the Irish skunk!" he exclaimed, producing a baggie
and rolling papers. Better judgement escaped me, and I accepted
this token of goodwill from the Emerald Isle. Within moments,
I was spun out, holding on to a wall, wondering what happened
to gravity. Have I mentioned that it's absolutely amazing what's
actually legal in the UK?? Eventually, though I'm not sure how
it was even possible, I made my way back to the backstage compound,
found my tent, changed from jeans to sweats, took out my contacts,
and fell asleep in my sleeping bag. Some mysteries are bound to
remain unsolved.

Cowa-Bongo,
dude! And here I thought people only did this in clubs in
San Francisco. |

It's 2 am. Do you know where your toddler is partying?
|

Your
average, mild-mannered, reserved Irish couple... |

...who
are a bit more than the "average horti-fucking-cutluralists." |
Can
Omid handle any more?? See Glastonbury
Day 2
|