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04.07.02
- Kill your television - It really is
the devil's altar.
03.13.02 - March against reason - Omid
bleeds blue & gold.
02.28.02
- Driven to Tears - coming to grips with road
rage
02.25.02 - Great Games - the Olympic Wrap-up
02.12.02 - Before March Madness, it's February
Fever
02.06.02 - Reviewed: The Thievery Corporation
of Capitol Hill
01.22.02 - Tales of the Library Loser
01.14.02 - Un-Plugged #1: The Jollibee
Experience
01.11.02 - Sowing the Seeds of Lust
- The view from Macworld SF 2002
For more
rantings, gurglings, and treatises on nothing, go to the
Pulpit's front page.
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ARCHIVED
ARTICLE
May 20,
2002 - DISCUSS THIS ARTICLE

The
Unprecedented Happens
It's been four days, yet I'm still trying to get over the mind-boggling
events of May 16. After a nice fluke of processing on Fandango.com,
I somehow scored tickets for myself and some coworkers to the
digital projection screening of the latest installment of Star
Wars on opening day. As luck would have it, I happen to
work across the street from the only theatre in Silicon Valley
showing the movie in digital.
Armed only with shades and cell phones (sorry, we're too cool
for plastic light sabers or Darth Vader masks), a pair of us
abandoned work a bit early to begin the wait among the great
(literally) unwashed to witness the cultural phenomenon known
as Episode II. It wasn't long after we got in line that
we geeks - that is my fellow web nerd co-worker and I - realized
that we don't deserve the label anymore. We weren't the
ones dueling with light sabers between rows of parked cars.
We weren't the ones dressed up in robes. And we certainly
weren't the ones dressed as a Tauntaun. (You know, those bipedal
creatures from the ice planet of Hoth that Han Solo thought
smelled bad on the outside.) Sure, I was in the chess
club and the sci-fi club early in high school, but for once,
I did not resemble the term "geek." (This goes well
beyond the whole "Library Loser" thing, as well -
see link on left.)
By the time the line started moving and people were taking their
seats, I suddenly felt as though I were in Pamplona, Spain,
directly in the path of the Running of the Bulls. My life flashed
before my eyes as I was nearly trampled by a rushing crowd of
mouth-breathing geeks. Never before had I seen the morbidly
obese run so fast. At the moment, I couldn't appreciate the
wonder of this spectacle, too busy fearing for my life. Carl
Lewis couldn't have beaten these behemoths to a good seat. If
George Lucas released a new movie every week, there'd be no
obesity problem in America. I kid you not.
Shortly thereafter, I saved some seats, yapped with my colleagues,
and then the truly unprecedented happened: I thoroughly enjoyed
an overhyped movie.
It's Not All Good
Unlike it's Gungan-filled predecessor, Attack of the
Clones won't be in the running for a Golden Raspberry. But
truth be told, it's no Oscar contender, either.
Natalie Portman and her romantic lead Hayden Christensen share
all the chemistry of oil and vinegar, without the kick of balsamic.
Their performances are so flat, Parisian runway models are protesting
in jealousy. While they may be the "it"-girl and "it"-boy
for the next few months, it's hard to believe it was their torrid
romance that spawned future heroes Luke and Leia.
The primary baddie in this installment, Count Dooku (Christopher
Lee), is so cheesily melodramatic, one could confuse him with
Christopher Guest's "Man with Six Fingers" in The
Princess Bride. Even bad-ass Samuel L. Jackson couldn't
do anything for the Lucas-penned dialogue. The only noteworthy
performance was turned in by Ewan McGregor, and that's to be
expected: he wowed us as a likeable junkie in Trainspotting,
made kidnapping fun in A Life Less Ordinary, and even
made it cool for guys to do musicals again in Moulin Rouge.
If anyone could save a Lucas-penned script, it's this guy.
If you haven't bothered to notice already, Georgie isn't exactly
the finest writer. (Yeah, yeah, who am I to criticize?) First
off, his dialogue is stiffer than Robert Blake's wife. Secondly,
he recycles the same phrases repeatedly (e.g. "delusions
of grandeur," "be mindful"). Third, he couldn't
write romance if Harlequin fronted him $500m for his next story.
No, I'm afraid he can't write anything more complex than a dirty
limerick.
So if he can't write, he can direct, right? If you look back
at the series thus far, you'll see that Lucas directed only
the original Star Wars and the less-than-inspiring Phantom
Menace. Other highlights on his directorial resumé
include film masterpieces like Howard the Duck. The point?
Lucas is not a great director. The best film in the series (do
I even need to mention that it's Empire?) was directed
by Irvin Kirschner, and he wisely left the direction of his
Indiana Jones franchise to buddy Steven Spielberg.
What George Lucas can do, however, is transpose his simple boyhood
fantasies into a galaxy far, far away, and more than that, he
can make it cool enough that a tiny part in all of us - geek
or not - wishes it was real.
Making Fantasies Come True
Forget what those late night ads for 900-numbers say. No one
will make your fantasies seem a reality unless their name is
Walt Disney or George Lucas. Disney's frozen in carbonite somewhere
now, and his amusement parks - while great expressions of fantasy
- are too expensive or too far to be an escape for everybody.
Lucas - despite his physiological challenge of having no chin
whatsoever - is still alive and well and from his home office
in Marin County, he's cranking out fantasies that can be played
out for about $9 a pop at the local multiplex.
No, watching a fantastical movie doesn't make it any more real
than the Tooth Fairy or Santa Claus. (I hope I didn't burst
anyone's bubble there - newsflash: they're non-existent.) But
by using the latest technology, Lucas makes it look real. Furthermore,
by basing his stories on very simple desires, frustrations and
ideals that are practically universal, the chinless one taps
into the feelings and hopes of just about everybody but the
biggest stick-in-the-mud curmudgeons. Forget all the writers'
comparisons to Wagnerian opera cycles or eastern philosophy
or gun-slinging westerns. While all those references may be
accurate, the part of the Star Wars universe that appeals
to so many millions of people is that no matter how out-of-this-world
everything may be, we relate to them.
At some point, we've lived the same moment as one of the protagonists.
Perhaps you know of someone who wants to better his situation
by escaping his current life on the farm. Maybe you've wanted
to resolve the dysfunctional relationship with your father.
You may well know a girl who was annoyingly pursued by some
brash guy, only to find he has a good heart. At one time or
another, you've probably felt you knew more about something
than the person who was teaching you. And while you'll probably
never levitate a pear-like fruit and feed it to a senator from
Naboo, you probably fantasize about such powers and such dalliances.
Cheese on the Side
Since the commercially successful concept of taking over Imperial
forest moon bases with teddy bears, George Lucas has been unafraid
of using some of the most juvenile drivel to fill time in his
stories. Through Episode I, we suffered through the insufferable
Gungans, the cartoonish creatures of the Pod Race, and even
cameos by E.T. the Extra-terrestrial in the Galactic
Senate chambers.
Thanks to a fan uproar, Episode II was not graced by
N'Sync (a similar blunder did occur in Spider-Man,
where flash-in-the-pan recording artist Macy Gray's appearance
will date the movie permanently). But we still had to suffer
through several minutes of Jar Jar Binks, the awfully juvenile
anti-smoking message via the solicitation of "Death Sticks"
by a character named "Elan Sleazebaggano" (hey Lucas,
did the check from Truth.com go through yet?) and a scene in
a diner straight out of Earth in the 1950's. Wasn't that done
in Spaceballs? Oops.
Despite a few groans here and there, me and a thousand of my
closest geek friends roared and cheered and applauded throughout
the film, and the same was happening simultaneously at several
thousand theatres elsewhere. For two hours and fifteen minutes,
it didn't matter whether someone was hygenically challenged,
too fat for a single seat, chewing popcorn with their mouth
open, reciting lines from THX-1138 or simply too cool
to admit they know who played C-3PO (Anthony Daniels). For 135
minutes, millions communed as one to see a boy start to become
Darth Vader. And to see Yoda open up a can of whoop-ass.
| Omid
is planning on watching Episode II: Attack of the Clones
again, if only to see Yoda lead the Jedis into battle again.
He has a particular fondness for the little green one, because
he reminds him of his maternal grandmother. (Ewwwwwwwwww
or Awwwwwwwww?) |
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